
Updated 30 Oct 2026
A the kid laroi type beat lives on feeling. It is melodic pop-rap built around a sad, hand-played piano or guitar, wide reverb and an 808 that leans more emotional than aggressive, the kind of space that sits close to Juice WRLD and the Internet Money and Nick Mira world. Laroi can go two ways on the same record, a heartbroken ballad one minute and a brighter, energetic bounce the next, so the real skill is a melody that carries emotion and an arrangement that gives the artist room to sing. If you want loops that already have that emotional, guitar-and-piano feel so you can drop the drums and 808 around them in minutes, the ones below are free and played by hand. Everything here is general melodic rap technique you can reuse on any emotional beat, so you are learning the pocket, not copying one song.
You do not need a finished beat to start. The The Kid Laroi loops sit in step 1 and again at the bottom, ready to play.
These beats usually sit in a relaxed to mid tempo, often somewhere around 110 to 150 BPM, and 114 BPM is one value that comes straight out of the tutorials. The melody is what carries the song, so the tempo stays comfortable enough to sing over rather than rushing.
A half-time drum feel is common. Even when the project runs at a higher BPM, the snare lands every other bar so the beat breathes slowly under a melody that can still move quickly, and that split is a big part of the emotional, floaty vibe.
The key is almost always minor, and A minor turns up more than anything else, with G minor and other minor keys close behind. Take the key straight off your loop and set the 808, the bass and every melodic layer to the same root so nothing clashes under the vocal.
Start with a hand-played piano or guitar, because the human feel is the whole point. In the tutorials people reach for pianos like Keyscape, Laroi's own free Scratch Pad plugin, and a guitar in Omnisphere, then play in simple chord shapes and let the timing stay slightly loose rather than quantizing it to a grid.
Keep the chords emotional and open. Minor seventh chords and a slow, spacious progression leave room for the artist to sit in the gaps, and randomizing the note velocities or using a strum function makes a MIDI part feel like someone is actually playing it.
Layer a second texture behind the main melody. A reversed, chopped counter melody, a soft pad or a chopped vocal sitting low in the mix fills the space without fighting the lead, and that depth is a lot of what makes the beat feel finished.
The space around the sounds does most of the work. A generous reverb on the piano and guitar, a low cut so the lows stay clear for the 808, and a touch of delay on the guitar open up a wide, sad room that the melody floats inside.
Lean into imperfection. Loose timing, a slightly detuned guitar, a little tape wobble or saturation and quiet background noise under the melody all read as human and heartfelt, which is exactly the Juice WRLD adjacent feeling this style chases.
Let the melody breathe. Long held notes, pauses and sudden short silences give the beat an aching, unfinished quality and leave obvious pockets for a vocal, so resist the urge to fill every bar.
The 808 usually follows the root notes of the piano or guitar melody, so it reinforces the harmony instead of running its own busy pattern. Keep it melodic and let it glide between a few notes rather than stabbing on every beat.
Decide early how hard the 808 hits. For a sad ballad keep it soft and rounded so it supports the emotion, and for a more energetic flip push a punchier, distorted 808 or layer a synth bass under it for weight.
Tune the 808 to the loop key and keep the pattern simple. A few notes that lock to the kick carry the low end better than constant movement, and the empty space between hits is where the beat gets its bounce.
Start light so the melody stays in front. A clap or snare on the backbeat, a rim for a softer accent and a simple two-step hi-hat pattern are enough to hold the groove without crowding the emotion.
Add life with small details. Light hat rolls, a single open hat dropped into the gaps and randomized hat velocities keep the pattern from feeling robotic, and a tiny room reverb on a drum bus makes the whole kit sit in the same space as the melody.
For a harder or more energetic section, layer two snares, one hip-hop snare and one brighter indie or rock snare, so the backbeat cuts through. Running the drums at a half-time feel under a faster melody is a classic way to keep the vibe relaxed while still driving.
Laroi does plenty of upbeat, sample-driven records too, so the same melodic idea can be pushed brighter. A simple trick from the tutorials is to pitch the whole melody up several semitones, which instantly turns a sad loop into something hopeful and energetic.
Chop a vocal and use it as a rhythmic sample. Short, choppy vocal stabs, a wide chorus effect and a bit of analog distortion give that bouncy, sample-flip energy while still keeping the melodic core.
For a true Y2K flavoured flip, build the drums first with a snare and clap on two and four, a shaker used like a hi-hat and panned percussion, then add staccato strings and a few violin melodies on top for that early 2000s pop-rap bounce.
Give the beat clear sections with real contrast. Drop the drums out and leave just the piano and 808 for a verse, then bring everything back for the hook, so the energy lifts exactly when the artist needs it to.
Use filters and risers to turn corners. A low-pass filter opening across the pre-chorus, a quiet filtered verse and a riser into the drop all tell the listener a change is coming without adding any new melody.
Keep the strongest idea early and keep the arrangement simple. Random cut-offs and short silences between sections add drama, and leaving space in the verse gives the artist room to talk and sing before the hook hits.
Every loop on NDA Company is played by hand, no AI, and free as an mp3. Pick one of the emotional guitar or piano loops below that already has that sad, ambient feel, drop it in a minor key, and build the melodic 808, the light drums and the arrangement around it with the steps above.
The loops stream right on the page so you can hear the pocket before you commit. A free account lets you save the ones you like and come back to them, so you are not re-digging every session.
Pick a loop and drag it into your DAW. 808 under it, clap on top, your first The Kid Laroi beat is running.
Browse all loopsTempo, key and mood of the The Kid Laroi loops, straight from our catalog.
| Loop | BPM | Key | Vibe |
|---|---|---|---|
| Gold | 142 | Cmin | Ambient, Sad |
| Daytime | 130 | F#min | Ambient |
| Away | 110 | Ambient, Sad | |
| Staccato | 140 | Cmin | Ambient |
| Aftersun | 120 | G#min | Ambient, Virtual |
| Malan | 138 | Gmin | Ambient, Happy, Virtual |
| Western | 140 | Fmin | Ambient, Vintage, Western, Hard |
| Barely | 120 | Fmin | Ambient, Virtual, Wavy |
| Smurf | 109 | Fmin | Ambient, Vintage |
| Kxst | 140 | Amin | Ambient, Happy, Virtual |
Usually a relaxed to mid tempo, often around 110 to 150 BPM, with 114 BPM one value from the tutorials. A half-time drum feel under the melody is very common.
Almost always minor, with A minor the most common and G minor close behind. Easiest is to take the key from your loop and set the 808 and bass to the same root.
A hand-played piano or guitar is the core. Tutorials use pianos like Keyscape, Laroi's free Scratch Pad plugin and a guitar in Omnisphere, plus pads, chopped vocals and a melodic 808.
Space and imperfection. Wide reverb on the piano and guitar, loose timing, a low cut for the 808 and quiet background texture give it that sad, Juice WRLD adjacent feeling.
Light and melodic first: a clap or snare on the backbeat, a rim, a two-step hat with small rolls and an open hat. Layer a second brighter snare for a harder, more energetic section.
Yes, every loop is a free mp3, played by hand with no AI. It is not royalty-free: a commercial release means a 50/50 split with NDA Company.
They are not royalty-free. Free in your own beats; a 50/50 publishing split with NDA Company applies to every commercial release. License Terms
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